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Modern guitar construction
This involves alternative materials and methods such as veneer laminates (thin ply faced with choice veneers) which allow "cold bending" of the ribs. Necks can be built up of timber laminates such as maple and even combinations of timbers.
Both hand and power tools are used (eg. spokeshave, rasp, router). Epoxy, PVA and urea-formaldehyde glues can be used. Alternative finishes such as hand- brushed polyurethane varnish gives an acceptable tone.
In my experience it is best to follow a traditional bracing method for the face such as Torres or Martin.
Today the field is wide open for innovation, reflecting the age we live in, when traditional dogmas have been challenged. Improvement underpins change. See Links page and in particular "Cool Acoustics", interesting and research done at Loughborough University.
Back in the Sixties I experimented with fibreglass (GRP) acoustic guitar bodies (based on a Levin Goliath shape) and using papier mache for the ribs and back, solid spruce for the face. However, papier mache is nothing new in the history of guitar design !
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